In February this year, Dan Snyder, the billionaire American businessman who has recently diversified from owning football teams into film production, sat down to watch a private screening of a picture. This particular film, entitled The Apprentice, was one that that he had invested millions in, via his company Kinematics. Snyder was only too happy to open his cheque book in the belief that the film that he was funding was a flattering portrait of his friend Donald Trump, and dutifully co-funded
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