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A simple, open sense of awe suffuses the music Olive Ardizoni makes as Green-House. Their debut record under that alias, the calming, contemplative
, came out in early 2020 via the Los Angeles label Leaving, a longtime home for music with a spiritual slant and a reverent embrace of nature. Like Mort Garson’s 1976 cult classic
Mother Earth’s Plantasia, the first Green-House release took plants and their caretakers as its intended audience. Ardizoni similarly followed Stevie Wonder’s mesmerizing 1979 score
Journey Through the Secret Life of Plants in mapping the behaviors of flora onto synthesized compositions, trying to imagine what kind of musical patterns plants might like to hear—or, conversely, what kind of rhythms and melodies might induce in people the opportunity to empathize somatically with their still, unspeaking neighbors.

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