David Holmes' vital new album is worth the 15-year wait, while John Francis Flynn's second album likely to get Choice nod

When David Holmes released his first album in 1995, he would probably have been as surprised as anyone that almost three decades later he would become an enormously in-demand film soundtrack composer. That debut, This Film’s Crap, Let’s Slash the Seats, remains a startlingly potent electronica album, proving the Belfast native was no ordinary DJ.

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